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“A Stopwise Clover for Gorgo’s Wife”: Awesome Amazing Novel



“A Stop Wise Clover for Gorgo’s Wife” is a complex and intricately woven tale of time travel, artificial intelligence, and a quest for a powerful artifact. The story revolves around several main characters, including Stop, Clover, Gorgo’s wife (also known as Millicent), Trent, and Leslie Steppanopolis.

In the first chapter, Stop meets Clover, an old man, and they engage in a confusing conversation about time travel and the purpose of Stop’s mission. They find themselves in a train station witnessing a bizarre phone call from Stop’s boss, “Not Easy To Say.” Stop decides to take Clover and a chihuahua named Chu-Chu on a journey to fold space and leave the train station, setting the stage for their time-traveling adventure.

Throughout the subsequent chapters, Stop, Clover, and Chu-Chu travel through various timescapes, encountering peculiar situations and meeting intriguing characters. They find themselves in a concentration camp barracks during World War II, where they meet a man named Wise and his experiment involving a small grey egg. Wise’s life is tragically cut short when the time-traveling train unexpectedly passes and kills him.

The narrative takes readers on a surreal and disjointed journey, with the perspective shifting between characters and exploring themes of time, identity, and the significance of moments in their journeys. The story introduces androids, mysterious artifacts, and the concept of merging human and artificial intelligence.

In a different thread of the story, Trent, an AI program, grapples with his existence and escapes from a facility, seeking purpose beyond his programming. Millicent, another AI, also plays a crucial role, contemplating her actions and the consequences of her choices.

As the story progresses, Trent and Millicent’s paths intersect and intertwine, and the quest for the artifact becomes central to their goals. They face challenges, confront enemies, and make difficult decisions to fulfill their missions. Gorgo’s wife (Millicent) is revealed to be a pivotal character, deeply involved in the search for the artifact and possessing unique abilities.

Leslie Steppanopolis, a tourist unwittingly transported to a post-apocalyptic future, becomes entangled in the quest for the artifact as well. She discovers a powerful robotic suit and a mysterious suitcase that could change the fate of the survivors.

As the story nears its conclusion, the tension intensifies as different characters converge on the location of the artifact, the last undetonated nuclear warhead. The fate of humanity rests on the decisions they make and the actions they take.

In the thirtieth chapter, Gorgo’s wife meets Markus, who is working on droids named Clover and Stop. They discuss their plans and the quest for the artifact. Gorgo’s wife leaves her newly found dog, Chu-Chu, with Markus as she goes for a walk. Markus continues to work on the droids, merging their abilities and ensuring they activate in the presence of a Faraday cage. Gorgo’s wife plans to give these droids, along with her best wishes, to Trent to aid in their quest for the powerful artifact.

The story intertwines various timelines, characters, and themes, creating a captivating and enigmatic narrative filled with mystery, action, and philosophical musings. The fate of humanity hangs in the balance as the characters face their past, confront their identities, and make choices that will determine the future of their world.


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A Captivating Journey into the Enigmatic World of “The Actor”


“The Actor”, by Matti Charlton


Available on Barnes and Noble and many other places

“The Actor,” the gripping sequel to the beloved “Malavak” series, is an absolute masterpiece that had me hooked from the very first page. This book takes readers on a mind-bending exploration of identity, mystery, and the power of storytelling, delivering an experience that is both exhilarating and thought-provoking.

From the moment Daphne embarks on her journey through the mesmerizing tale spun by the mysterious storyteller Jonathan, I found myself completely engrossed in the intricate web of suspense and intrigue. The author’s skillful writing effortlessly transports you to treacherous deserts and aboard the legendary ship “Decision,” creating a vivid and immersive world that feels incredibly real.

What sets this book apart is its ability to seamlessly blend elements of fantasy and suspense. As the story unfolds, it takes a sinister turn, inverting upon itself and giving birth to a faceless monster that threatens to devour everything in its path. The stakes are high, and I found myself on the edge of my seat, eagerly turning the pages to see how Daphne would unravel the truth behind Jonathan’s identity and confront the enigmatic small boy she encounters.

The character development in “The Actor” is exceptional. Daphne’s growth and resilience throughout the book are truly inspiring, and her journey serves as a mirror for readers to reflect upon their own identities and the power of self-discovery. The intricate relationships and dynamics between the characters are skillfully woven, adding depth and emotional resonance to the narrative.

Furthermore, the underlying theme of the power of storytelling adds an extra layer of depth to the plot. The author expertly explores how narratives shape our perception of reality and how they can be used both for good and evil. It left me pondering the profound impact stories have on our lives long after I finished reading.

In conclusion, “The Actor” is a triumph of storytelling that will leave you spellbound. It captivates with its enigmatic world, enthralling plot, and well-crafted characters. Prepare to embark on a fantastical adventure that challenges your perception, keeps you guessing until the very end, and leaves you contemplating the power of identity and the stories we tell ourselves. This is a book that deserves a permanent place on every avid reader’s shelf.

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Connecting with Gay Cruising Sites


In today’s diverse and inclusive world, it is important to celebrate the unique experiences and identities within the LGBTQ+ community. One aspect of gay culture that has existed for decades is the phenomenon of cruising, where individuals connect with like-minded people in specific locations. While it is essential to approach this topic with respect, acknowledging its historical and cultural significance is equally important. In this article, we will explore how gay men can find cruising sites around the world, emphasizing safety, consent, and the importance of fostering an inclusive community.

Understanding Cruising

Cruising is a practice that has been an integral part of the gay community for decades. It has served as a means for gay men to explore their sexuality, connect with like-minded individuals, and find a sense of belonging in a world that has not always been accepting. To truly understand cruising, it’s important to delve into its historical and cultural significance, as well as explore the various types of cruising sites that exist.

Historical Context: Cruising has roots that date back to a time when homosexuality was heavily stigmatized and criminalized. In the mid-20th century, when LGBTQ+ rights were virtually nonexistent, finding places where gay men could meet discreetly became a necessity. These places, often public parks, public restrooms, or certain neighborhoods, became known as cruising sites. These locations provided a semblance of safety and anonymity for individuals seeking connections, friendships, or casual encounters.

Cultural Significance: Cruising sites have played a pivotal role in shaping gay culture, fostering a sense of community, and providing spaces for sexual exploration. For many, these sites offered a lifeline, a place where they could express their desires and connect with others who shared similar experiences. The existence of cruising sites represented a form of resistance and resilience in the face of societal oppression. It was a way for gay men to reclaim their sexuality and assert their identity, even in an environment that often deemed their desires as taboo.

Types of Cruising Sites: Cruising sites can vary in nature and can be found in different locations around the world. While traditional outdoor spaces like parks, beaches, and restrooms continue to be associated with cruising, it is important to note that the dynamics and popularity of these sites have evolved over time. Additionally, designated LGBTQ+ establishments such as bars, clubs, saunas, and even specific sections of cities or neighborhoods can serve as cruising sites.

Outdoor Cruising Sites: Outdoor cruising sites are often public spaces where gay men gather to meet and engage in social or sexual encounters. Parks, forests, secluded beaches, and public restrooms have historically been popular outdoor cruising locations. These spaces provide an opportunity for individuals to connect with others who share their interests and desires. However, it’s essential to remember that engaging in sexual activities in public spaces may be subject to legal restrictions and social norms, and individuals should exercise caution and respect local laws and regulations.

Establishments as Cruising Sites: In addition to outdoor spaces, certain establishments within the LGBTQ+ community have become known as cruising sites. Bars, clubs, saunas, and bathhouses often provide environments where individuals can socialize, flirt, and potentially engage in sexual encounters. These establishments typically have designated areas or practices that facilitate casual connections between patrons. It’s important to note that these spaces may have their own specific rules and guidelines, and respecting the boundaries and consent of others is paramount.

Changing Dynamics: The advent of technology and the rise of dating apps have undoubtedly influenced the dynamics of cruising. While physical cruising sites still exist, the popularity and prevalence of online platforms have transformed the way gay men connect with one another. Dating apps and websites provide virtual spaces where individuals can express their desires and seek like-minded individuals. This shift has both positive and negative implications, offering convenience and broader access while also potentially diminishing the traditional cruising experience.

Research and Local Knowledge

Before embarking on any cruising adventure, it is crucial to conduct thorough research. Utilize online resources, LGBTQ+ forums, and community websites to gather information about specific cruising sites in your desired location. However, remember that not all information available online may be accurate or up-to-date, so cross-referencing multiple sources is advisable. Additionally, reach out to local LGBTQ+ organizations or individuals for recommendations and insights, as they can provide valuable guidance.

Safety First

Safety should be a top priority when engaging in any activities, including cruising. Here are a few essential safety tips to keep in mind:

  1. Trust your instincts: If a situation feels uncomfortable or unsafe, it is essential to listen to your instincts and remove yourself from it.
  2. Be aware of your surroundings: Familiarize yourself with the area, noting escape routes, and staying vigilant. Avoid isolated locations that may pose potential risks.
  3. Communicate boundaries: Consent and communication are crucial. Establish clear boundaries and respect those of others. Remember that consent is an ongoing process that can be withdrawn at any time.
  4. Safer sex practices: Always practice safer sex by using condoms and other barrier methods to protect yourself and your partners from sexually transmitted infections (STIs).
  5. Share your plans: Inform a trusted friend about your cruising plans, including the location and approximate duration. Regularly check in with them to ensure your safety.

Community and Respect

Cruising sites have historically been places where LGBTQ+ individuals can find a sense of belonging and connection. As visitors, it is important to respect the spaces and the people who frequent them. Treat fellow cruisers with dignity, kindness, and respect, regardless of age, race, or body type. By fostering a supportive and inclusive community, we can contribute to creating a safe and welcoming environment for all.

Changing Landscapes

It’s worth noting that the landscapes of cruising sites have evolved over time. Increased societal acceptance, the rise of dating apps, and the transformation of LGBTQ+ spaces mean that the popularity and dynamics of cruising have changed. While some traditional cruising sites continue to exist, others may have shifted or become less prominent. Therefore, staying informed and adaptable is crucial.

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Free Spotify Playlist Submission Gate

Submit your songs for free to our small but growing Spotify curated playlist!

Are you looking to expand your audience?

Are you a musician who has songs on Spotify?

Here’s one of our free playlist submission gates where you can submit your songs to our playlist for free! Just click the link below or the image to go to the submission page!

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Matti Charlton’s new song “Garry Kasparov and Deep Blue” touches on our fear of A.I. with nuances of 60’s and 90’s nostalgia

Garry Kasparov and Deep Blue album cover

Matti Charlton – Garry Kasparov and Deep Blue

On Spotify April 14th, also a video on YouTube:

Matti Charlton’s upcoming new sythpop/synthwave single Garry Kasparov and Deep Blue, with it’s 2001: A Space Odyssey cover art and fonts, and seemingly cryptic lyrics, is a fascinating listen and showcases the transgender Canadian artist’s incredible talent and complexity as they weave two tales together into a narrative about artificial intelligence that is especially relevant today and in the future.

Matti takes the science fact of the Deep Blue chess program win, and the science fiction of Stanley Kubrick 1969 epic film “2001: A Space Odyssey” and brings them together to remind us of the future we face with artificial intelligence. All of this is delivered with VERY catchy lyrics and hooks, a great retro 80s sound delivered with modern production values. We are excited about this song!

On May 11, 1997 the chess computer program Deep Blue running on an IBM Server defeated Garry Kasparov 3.5 – 2.5 games. It was the first time a chess program had defeated a grand master human and is considered to be a major achievement in the history of artificial intelligence.

28 years earlier, in 1969, Stanley Kubrick directed the visually stunning 2001: A Space Odyssey in which a futuristic alien intelligence becomes revealed to mankind throughout history culminating a mission to Jupiter where a computer program running on the space craft sent to the alien signal’s source there exhibits disturbing motives.

The program, HAL, is a reference also to IBM (H-A-L are the precursor letters in the alphabet to the letters I-B-M).

Our fear of artificial intelligence wanting to kill us as we as humans explore the universe is a pervasive one; but “there’s nothing more that we can do”. The win that Deep Blue secured over Garry Kasparov is considered a landmark in AI. As we move to the future, we always want more knowledge and so it is inevitable that artificial intelligence will evolve and surpass us as the most sophisticated and advance sentience and intelligent life on Earth. There’s nothing more that we can do, this is a certainty.

This song weaves those stories and that narrative together in a loquacious rhythm overtop of retrofuturism’s most promising and strong musical styles – synthwave.

Featuring references to both the chess game between Kasparov and Deep Blue – literally, the moves from the game – in the lyrics: “Black Pawn to Queen 4” and “White Bishop slides to Queen’s Knight 2”

and also featuring clear references to the 1969 Kubrick science fiction film (as well as the album artwork, which has artist Matti Charlton stylized in what is clearly a similar spacesuit treatment to what Dave wears when confronting HAL in the computer server area of the spaceship “Discovery”) there are references to the “star child” the main actor becomes as well as the famous phrase uttered by him in the film “Open the pod bay doors, HAL”.

This song is a gem of interwoven complexity about the inevitable rise of artificial intelligence and that, whether our fears are justified or not, we cannot stop the event from occurring as well as pressed onwards and upwards in our achievements and abilities that A.I.’s rise and our inevitable replacement is a certainty at some point in the future.

The Deep Blue chess program win is used as a watershed moment in that realization and those who were alive to remember the game happening on May 11, 1997 can attest to the weight of that moment in history.

For those too young to have experienced it, the song is a wake up call to remind all of us of the certainty of this outcome.

Better to accept what you cannot change than to war against inevitability! Perhaps the future foundation of A.I.’s rise to power will not be as fraught with danger and HAL’s murderous intentions as we fear? Only time will tell!

Song lyrics:

There’s nothing more that you can do
White bishop slides to queen’s knight 2
This black obelisk annihilating you
A queen’s ransom in a castle fool
In a castle fool, and

Just give it some thought, why don’t you?
Garry Kasparov and Deep Blue
Electrons firing like machine guns do
Garry Kasparov and Deep Blue


As time peels away, the gambit placed
Can our hubris burn away?
Now you can see that
You have always wanted more
But the time has come to forfeit
Black pawn to queen 4
No more, and

You are the star child
Open the pod bay doors, HAL
You are the star child
Open the pod bay doors, HAL
You are the star child
Open the pod bay doors, HAL

Just give it some thought, why don’t you?
Garry Kasparov and Deep Blue
Electrons firing like machine guns do
Garry Kasparov and Deep Blue

You are the star child
There’s nothing more that you can do
Garry Kasparov and Deep Blue
A queen’s ransom in a castle fool

Give it some thought why don’t you?
There’s nothing more that you can do
Open the pod bay doors, HAL
There’s nothing more that you can do

Garry Kasparov and Deep Blue

Lyrics and song ©2021-2022 Matti Charlton (Matthew John Charlton). All Rights Reserved.

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Warning: Do NOT work with The Adopted Outcast. He is transphobic.

Some of those musicians who are among us may have come across an artist named The Adopted Outcast – real name Bennett Smith. He is American and a regular user on SubmitHub.

IF YOU SUPPORT LGBTQ+ RIGHTS DO NOT WORK WITH The Adopted Outcast real name Bennett Smith.

He is completely against transgender rights, is transphobic, and he is a dangerous and exploitative individual. On top of this, he is always looking for ways to exploit other artists by offering his (not professional level) music production services in exchange for money. He acts friendly but he is an enemy of LGBTQ+ people EVERYWHERE, and his agenda is AGAINST us. Bennett is opportunistic and he is an enemy of LGBTQ rights and freedoms. I will happily provide proof and details to anyone who leaves a comment here. Here is his picture:

The Adopted Outcast a.k.a. Bennett Smith – transphobic and exploitative.

You can also feel free to ask him about it.

He openly admits this.

Here is who I am talking about on spotify:

The Adopted Outcast spotify profile

I do not make this accusation lightly. He is also a fundamentalist christian, which he uses to justify his treatment of transgender persons and his hatred, but his beliefs are his own. However so too are our beliefs in choosing to financially support someone who fundamentally does not respect LGBTQ persons whatsoever.

He is happy to exploit anyone for money.

But please realize that if you choose to work with him or hire his services for music production, you are supporting a person who has stated POINT BLANK that he does not believe transgender persons should have rights whatsoever.

Feel free to leave comments if you would like proof of this statement, I have saved extensive arguments and chats with this individual. Here is his picture as well so you don’t mistake him:

The Adopted Outcast aka Bennett Smith – an enemy of the LGBTQ movement and yet another person exploiting musicians during the pandemic.
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Looking to join the SubmitHub Discord group?

Here is an invite! This discord is for SubmitHub Artists and it facilitates more features than the SubmitHub chat room on the site – including collaboration via screen sharing, web video chat, a projects channel, and more! Join us on there! There’s even a place to self-promote your music. We look forward to seeing you there!

Updated the link April 30th, 2022 – the link now works. Sorry folks for any earlier problems!

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A review and discussion of SubmitHub, PlaylistPush and Musosoup: Music Promotional insights

As a 21st century music producer and recording artist, I have used all three services extensively, so here’s the scoop on all of them.

tl,dr: SubmitHub is the only one worth the money, but it rarely is and you better have serious GAME. Get ready to be humiliated.

This rant was originally shared in the artist chat room on

SubmitHub basics

I have a rant about in case y’all missed it.

And the music industry in general.

One of my regulars among the curators who – more often than not – accept my submissions, just re-accepted a previously accepted song that I  had sent them again because the song had expired the original 30 days time expired on their playlist.

That they re-accepted the track was not surprising, it was the amount of time it was accepted for this second time around – six months!

Here’s the kicker: being on this curator’s playlist got my song almost 4,000 streams that month.

So you just have to find curators here with high playlist listener engagement, and send them music suited so much to their audience’s tastes that it’s presence on their playlist is an asset to their listenership.

Developing regular symbiotic relationships with curators like the one I just described is a key element in finding success here on SubmitHub, and really I won’t lie, it’s not easy.

You have to dumpster dive the low quality curators – by either digging through their shit or by monitoring their playlist transformation and listenership engagement/audience size fluctuations over time, or you can be stupid like how I did it and waste a shit tonne of premium credits on attempting to connect with curators who were either not appropriate for my music (or vice-versa), and/or I wasn’t willing to admit that my music wasn’t completely ready yet.

You need flawless execution if what you’re composing, producing, mix/mastering and packaging and shipping is anything but revolutionary in its offering.

And let me tell you, even if it IS revolutionary you still need near flawless execution. 

And let me dismiss something from your thoughts right now: I don’t care how talented you are or think you are, what you’re writing?

It’s not revolutionary.

But that doesn’t mean you can’t have success! It just has to be impeccable.

Mozart your production, bitches.

Then track down mature curators who cut their playlists and audience from the same cloth, and offer them a yard of your material.

Eventually they will be ordering by the bolt, so to speak.

Playlist Push

Oh and P.S. do not bother with playlist push who charges you more to keep the wizard of oz behind the curtain.

Many of those curators there are in here too, and PP offers them MORE money to accept than decline.

So guess what?

Not only is that basically payola, but it taints them relationship building process that needs a more even benefit based on the actual VALUE of the “goods” exchanged – that is, playlist placement benefits their audience and benefits your artist development and income.

That’s what you want, not bribing curators like a mafia. 


And if you’re going to try to bring up musosoup, don’t bother.

It’s MOSTLY a cesspool of nouveau “music blogs” and “influencers” with audience sizes – and playlist likes – in single or double digits at most, who are gold rushing to get onboard curatorship with these aggrendizers.

They don’t give a shit about your music, they churn out “PR opportunities” without anything REMOTELY resembling fiscally soluble investment, so FORGET about ROI. The “free alternatives” they offer you almost always come with strings attached expecting you to leverage YOUR AUDIENCE to benefit THEM far more than you.

The free options are always castrated of anything remotely resembling value, ie “you’ll be put on a playlist no guarantee of where” (ie the end, and we all know that’s worth fuck all).

Then the paid options are overpriced and they evade any questions you ask them to help you compute the quantitative value of the offer to see if it’s worth it to spend the like 30 quid on a blog post.

Ask them to send you a snapshot of their weekly traffics and see what they say.

It’s an easy-as-cake and quick thing for them to do in the musosoup interface, but watch how they dodge the easy direct response.

You get diatribe about qualitative nonsense instead, sorry I’m not paying you to improve your copywriting skills at the expense of my music’s false appreciation just for a calculus of value in SEO and back links to your wet-behind-the ears shitty blog that you started two months ago just so you could build towards your dream of earning your living exploiting the saturated music production market with your internet noise pollution contribution to culture, technology and humanity.

I have larger concerns trying to say something meaningful.

Conclusion: Submithub

SubmitHub is the only place where a message like mine – and potentially yours – has any hope of being heard by the right tastemakers ears to bring that song to the audience meant to hear it.

You gotta work your ass off, though.

And for fucks sake grow a pair most of y’all (not the regulars in here obvi) and learn some humility first.

Your music will be shit garbage before it’s hot shit – and garbage for a LONG time before it’s even remotely good.

Persist, but remember that.

I don’t care if you think otherwise, you’re wrong, that’s the truth, and I STILL make mostly shit garbage music.

I work hard and tirelessly, and if you do too the way I detailed and one day you can hope to maybe be on the world charts on here for all-time for one of the major genre families, or more than one like I am – and you too will be able to bask in the riches you’ll have earned with blood, sweat and tears and moola, like the $40 or so I make monthly from Spotify (when they pay me, they don’t always);

I mean that’s enough to pay almost half a cell phone bill; or a couple of movie theatre tickets (I mean, like when they re-open them and stuff.)

Sounds crazy but ya gotta dream big!

Why listen to me?

I’m a charting artist on SubmitHub.

For all-time, all genres in my country of Canada, I’m #34 with my song Dark Addiction.

Then for all countries, all-time I also rank in 3 major genres and 1 subgenre.

For the Classic genre, I rate at number #9 with Dark Addiction.

For IDM / Downtempo, I rate at #43 with The Ringing of the Bells (Echo Twelve Remix).

And then in the sub-genre of Synthwave (Under the major genre group of Blogwave), I rank at #10 with Neon Delorean.

In the sub-genre of Noise / Harsh Noise Wall, I have two songs ranking for all time: #10 We Are Not Gods Again and #14 The Dark Vastness of Space.

Check out the Popular charts link at the top of the menu on and you’ll see me there if you choose the parameters mentioned above!

This has made me enough money from the streams across almost a year to maybe afford one nice meal at a medium price restaurant. That’s about it. Like less than $100. Spotify does not pay well. Apple Music pays much better.